Marshall-Luck’s violin playing beggars description for its rich beauty of tone, to which one can add immaculate intonation and precision of rhythm plus wonderfully long-limbed lyricism. (How I would love to hear him in the various solo-violin works of Max Bruch!)

We should never take the redoubtable Rupert Marshall-Luck for granted. Here is a man who continues to introduce us to works that the years have discarded and trodden down. He brings them to us not as something fusty and dusty but as precious and joyous. His many discs leave us in no dout of his great artistry and advocacy. It’s an extraordinary heritage that he is laying down.

Rupert Marshall-Luck’s handsome tone and laser-like tuning are remarkable in themselves.

Marshall-Luck is an ideal interpreter: generously but not effusively lyrical; agile and athletic.

Les perilleux passages en doubles cordes sont surmontes par Rupert Marshall-Luck avec une sportive aisance.

Linearer, durchsichtiger, klanglich abwechslungsreicher und individueller beim vielen Schönheiten bietenden Violinkonzert Moerans. Hier sorgte Marshall-Luck mit sattem, kräftigem Ton für Aufmerksamkeit provozierende Wirkung.

His technique and intonation are flawless, and each work is projected with knowing sensitivity and communicative expression.